1958COMEDY
JERRY LEWIS SHOW # 9, 12/10/58
This reel is part of one of our Specialty Collections. Online viewing or downloads of low-res versions for offline viewing will be available for only more day, though. Online viewing or downloads of low-res versions for offline viewing has now expired, though, and cannot be viewed online. "Pro" account holders can download a low-res version for offline viewing.
Sign up for a "Pro" account to download this footage.
This reel is currently not available for online viewing.
Sorry, this video is temporarily unavailable for online viewing or download. Please try again later.
Restricted Material
Access to this reel with audio is restricted. It will be available for only more day.
Access to this reel with audio has expired.
| 15:00:00 0.75 |
TITLE CARD: JERRY LEWIS SHOW # 9, 12/10/58
|
| 15:00:02 3.2 |
BLANK
|
| 15:00:06 6.73 |
COUNTDOWN
|
| 15:00:09 9.93 |
JERRY LEWIS CARICATURE
|
| 15:00:14 14.57 |
STILL OF MILTON BERLE AND BAT MASTERSON
|
| 15:00:23 24.53 |
NBC ANIMATED PEACOCK
|
| 15:00:37 37.65 |
JERRY LEWIS SHOW OPENER, TITLE CARD AND GUESTS SUPER IMPOSED OVER ORCHESTRA,
|
| 15:01:08 69.18 |
JERRY LEWIS, HOST AND STAR ENTERS NIGHTCLUB SCENE ON FAST MOVING CATWALK, CRASHES INTO TABLES AND DINERS AND CAMERA CREW, CHAOS
|
| 15:01:41 102.47 |
JERRY LEWIS LOOKS SHOCKED, MILTON BERLE JOKE, WELCOMES VIEWERS, YELLS AT THE CAMERAMAN, LOTS OF IMPROVISATION, TH,ANKS PEOPLE WHO SENT LETTERS WHEN HE WAS IN THE HOSPITAL
|
| 15:03:13 194.35 |
JERRY DOES BIT ABOUT SINGERS AND CHAIRS, TRIES TO SING IN VIBRATOR CHAIR
|
| 15:04:02 242.53 |
JERRY LEWIS
IT'S GOOD TO BE ALIVE
(live)
|
| 15:05:48 349.04 |
JERRY RUNS AROUND, PLUGS TIMEX WATCHES AND THEIR LIVE DEMONSTRATIONS
|
| 15:06:40 401.35 |
BLANK
|
| 15:06:45 405.96 |
JOHN CAMERON SWAYZY AND TIMEX WATCH COMMERCIAL, $ 15., WATCHES FROZEN IN WATER AND PUT INTO A LARGE AGITATOR, LIVE DEMONSTRATION, AGITATOR BREAKS BUT THE WATCHES ARE STILL WORKING
|
| 15:09:33 574.32 |
BLANK
|
| 15:09:39 579.91 |
DEL MOORE INTRODUCES SKIT ON BLOOPERS
|
| 15:10:12 613.05 |
MIKE BIRD SHOW SKIT, JERRY LEWIS AT PIANO, SINGS I'LL BE SEEING YOU, COMICAL
|
| 15:12:24 745.18 |
BLANK
|
| 15:12:27 747.76 |
DEL MOORE ANNOUNCES NEXT BIT
|
| 15:12:43 763.67 |
ANIMATED NBC PEACOCK SHORT, JERRY LEWIS VOICE OVER
|
| 15:12:58 778.75 |
DEL MOORE ANNOUNCES SKIT
|
| 15:13:12 792.63 |
THE JACK PARR SHOW SPOOF WITH JERRY LEWIS AS HOST JACK STARR, JOKES ABOUT CALIFORNIA, SITS ON DESKS, RAMBLES ON AND ON, COMICAL COMMERCIAL PLUGS FOR FAKE PRODUCTS, JOKES ABOUT PICTURES OF OLD PEOPLE
|
| 15:18:07 1087.77 |
SKIT CONTINUES, JERRY AS HOST OF SHOW LIGHTS CIGARETTE WITH FICTIONAL GUESTS, TWO EUROPEAN WOMEN ARGUING, HE SITS BETWEEN THEM ON A SMALL LOVE SEAT, JOKE ABOUT VIENNESE WETBACK AND GERMAN U-BOAT, WOMEN START FIGHTING ON STAGE
|
| 15:23:09 1389.89 |
MORE TO COME TITLE CARD
|
| 15:23:15 1396.27 |
BLANK
|
| 15:23:18 1399.33 |
DEL MOORE ANNOUNCER
|
| 15:23:26 1407.17 |
BLANK
|
| 15:23:29 1409.8 |
JOHN CAMERON SWAYZY SPOKEMAN FOR TIMEX WATCHES, COMMERCIAL, USES A HAND WRINGER WASHING MACHINE, SELF WINDING WATCH, CU OF TIMEX WATCH
|
| 15:25:03 1504.08 |
BLANK
|
| 15:25:07 1507.52 |
CU OF SPANISH GUITARIST PERFORMING, PAN TO JERRY LEWIS AS SPANISH DANCER IN BOOTS AND BOLERO VEST, SINGS IN FAKE SPANISH
|
| 15:26:49 1610.43 |
BLANK
|
| 15:26:55 1616.22 |
DEL MOORE, ANNOUNCER
|
| 15:27:01 1622.47 |
BLANK
|
| 15:27:05 1625.66 |
NBC SHOW PROMOS WITH STILLS, 1958
|
| 15:27:12 1633.2 |
BLANK
|
| 15:27:39 1660.28 |
JERRY LEWIS CARICATURE, SHOW RETURNS
|
| 15:27:52 1672.57 |
JERRY LEWIS IN VELVET ROBE TALKS ABOUT GUEST AND FRIEND BOBBY VAN
|
| 15:28:33 1714.34 |
BOBBY VAN
ALL DRESSED UP
(live)
SONG AND DANCE
|
| 15:31:55 1916.09 |
BLANK
|
| 15:32:00 1920.88 |
JERRY LEWIS WHISTLES, BIG HAND FOR BOBBY VAN, THEY TALK ABOUT DANCING, BOBBY GIVES JERRY A LESSON
|
| 15:33:37 2018.18 |
JERRY LEWIS AND BOBBY VAN DANCE TO "ME AND MY SHADOW", COMICAL
|
| 15:35:51 2152.07 |
JERRY LEWIS OUT OF BREATH AFTER DANCING, HE TALKS ABOUT EDDIE CANTOR, INTRODUCES BARBARA RATON
|
| 15:36:36 2196.91 |
NEW TALENT SINGS, SHOW GIRL PLAYED BY JERRY LEWIS, LIP SYNCING
|
| 15:37:45 2266.21 |
JERRY LEWIS INTRODUCES LAURIE CARROLL WHO SANG THE SONG, INTRODUCES TRIBUTE TO USS ARIZONA, RAISING MONEY FOR A PERMANENT MONUMENT AT PEARL HARBOR, MENTIONS GOVERNOR OF THE TERRITORY OF HAWAII
|
| 15:39:41 2381.59 |
MAIL IN INFO: "USS ARIZONA, PEARL HARBOR, HAWAII"
|
| 15:39:48 2388.75 |
JERRY INTRODUCES MILITARY MARCHING BAND
|
| 15:40:04 2404.76 |
SAN DIEGO NAVAL TRAINING CENTER MARCHING BAND
ANCHORS AWEIGH
(live)
SAN DIEGO NAVAL TRAINING CENTER MARCHING BAND
|
| 15:41:19 2479.73 |
BLANK
|
| 15:41:23 2484.06 |
ANNOUNCERS INTRODUCES CHARLES MECHY
|
| 15:41:44 2504.59 |
JERRY LEWIS AS FRENCHMAN LIP SYNCS OPERATIC SONG, LOTS OF FUNNY FACES, HERNIA
|
| 15:45:09 2710.18 |
BLANK
|
| 15:45:19 2719.81 |
ORCHESTRA PLAYS, CURTAIN RISES
|
| 15:45:41 2742.03 |
HARRY JAMES AND HIS MUSIC MAKERS
INSTRUMENTAL
(live)
LOTS OF SOLOS
|
| 15:48:00 2880.54 |
SONG ENDS, JERRY LEWIS SHAKES HARRY'S HAND, ACTS SILLY, KISSES HIS HAND, JERRY TRIES TO PLAY TRUMPET
|
| 15:49:44 2984.85 |
JERRY LEWIS AND HARRY JAMES PLAY DUELING TRUMPET, JERRY NOT REALLY PLAYING
|
| 15:51:44 3104.86 |
JERRY LEWIS AND HARRY JAMES, ACTING SILLY, LOTS OF HIP COMMENTS, WANTS TO LEAD THE BAND, HARRY SAYS NO
|
| 15:52:40 3161.47 |
HARRY JAMES TRIES TO INTRODUCE SONG, JERRY LEWIS LEADS NAVAL MILITARY BAND OUT ON STAGE, JERRY INTRODUCES ANOTHER ORCHESTRA ON STAGE, JERRY IS VERY COMPETITIVE WITH HARRY JAMES
|
| 15:54:17 3257.53 |
VARIOUS BANDS
JERRY LEWIS SHOW THEME SONG
(live)
WALTER SCHARF HOUSE BAND PLAYS, HARRY JAMES PLAYS, JERRY LEADS NAVAL MILITARY MARCHING BAND
|
| 15:55:47 3348.38 |
BLANK
|
| 15:55:55 3356.3 |
JERRY LEWIS PLUGS UPCOMING MOVIE "THE GEISHA BOY" WITH PHOTOS
|
| 15:56:46 3407.31 |
JERRY LEWIS
SONG FROM THE GEISHA BOY
(live)
|
| 15:59:02 3542.75 |
BLANK
|
| 15:59:10 3550.87 |
JERRY LEWIS THANKS AUDIENCE AND SHOWS THE COVER OF LOOK MAGAZINE
|
| 15:59:32 3573.47 |
PROMOS FOR NBC SHOWS, 1958, THE ED WINN SHOW, IT COULD BE YOU,
|
| 15:59:43 3583.6 |
BLANK
|
| 15:59:48 3589.46 |
END TAPE
|
Jump to this point
