THE GOOD SON OF PLASTIC SURGEON RAWLINSON TURNS TO CRIME UNDER THE INFLUENCE OF FARRELL, A JUVELILE DELINQUENT. AFTER RAWLINSON KILLS A NIGHT WATCHMAN DURING A THEATRE HOLDUP, HE IS, IN TURN "BUMPED OFF" BY FARRELL, WHEN STRICKEN WITH GUILT, HE WISHES TO CONFESS. BUT FARRELL & RAWLINSON'S SON WERE IDENTIFIED DURING THE ROBBERY, SO FARRELL GOES TO RAWLINSON. HE TELLS HIM HE HAS HIDDEN HIS SON, AND UNLESS HE PERFORMS PLASTIC SURGERY TO DISGUISE HIS LOOKS FROM THE POLICE. RAWLINSON WILL NEVER SEE HIS SON ALIVE. RAWLINSON AGREES TO FARRELL'S DEMANDS, BUT JUST BEFORE THE OPERATION HE DISCOVERS HIS DEAD SON'S BODY. RAWLINSON PERFORMS THE OPERATION ANYWAY, AND WHEN THE BANDAGES ARE REMOVED TWO WEEKS LATER, FARRELL IS SHOCKED TO DISCOVER THE FACE OF RAWLINSON'S MURDERED SON REPLACING HIS OWN. MINUTES LATER HE IS KILLED WHILE TRYING TO ESCAPE FROM THE POLICE WHO ARE STILL SEARCHING FOR THE HOLD UP MAN, RAWLINSON'S SON. REEVES & TALBOT ARE HYSTERICAL AS A COUPLE OF DETECTIVES. MINSTREL SHOW PRODUCTION NUMBER WAS BORROWED FROM A 1951 MOVIE - YES SIR MR. BONES. SCORE WAS LIFTED FROM MESA OF LOST WOMEN.
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