REGIONAL ART CENTER:
YOUNG GIRL RIDING HORSE, JUMPS IT OVER FENCE.
HORSES GRAZING IN FIELD OF CENTRAL KENTUCKY, PAN
TO WOMAN, CHILD PETTING HORSE NEARBY. LITTLE GIRL
RIDING HORSE, BACK TO CAMERA, JUMPS FENCE, AS
GROUP SINGING "BLUE GRASS" MUSIC IS HEARD.

DANVILLE'S REGIONAL ART CENTER BUILDING. GROUP OF
THREE YOUNG COUNTRY SINGERS, TWO GUITARS, BANJO,
BELT OUT SONG, INSIDE CENTER. CU FACE SHOTS OF
EACH YOUNG MAN AS THEY SING.

ELDERLY COUPLE TOUR HUGE IMPRESSIVE LOBBY. PAN
AUDITORIUM WITH ABILITY TO ACCOMMODATE WIDE RANGE
OF PRESENTATIONS. EXCEPTIONAL ACOUSTICS,
ENTHUSIASTIC AUDIENCE, HAS ATTRACTED THE NATIONAL
FESTIVAL BALLET OF SPAIN, A SOVIET DANCE COMPANY,
BROADWAY PLAYS, TO THIS SMALL KENTUCKY TOWN.

CU FACE SHOT OF YOUNG ACTOR APPLYING MAKE-UP
BEFORE MIRROR, ACTRESS DOING SAME. ACTORS PUTTING
ON SHAKESPEAREAN COSTUMES. CU FACE SHOT OF MALE
APPLYING EYE MAKE-UP, FROWN ON FACE.

YOUNG WOMAN PLAYS ORGAN AS MALE INSTRUCTOR WATCHES
PAN LARGE CORAL GROUP REHEARSES, YOUNG MEN, WOMEN
IN FINE ART CLASS, WORK ON THEIR PAINTINGS.

PAN OF ELDERLY PANEL SIT, PENSIVELY LISTEN AS
SCHOLARS FROM ENGLAND, HOLLAND, ITALY, GERMANY,
FRANCE, WHO CAME TO CENTER FOR FIFTH INTERNATIONAL
VERDI CONTEST, TO HEAR RESEARCH PAPERS, COMPARE
NOTES, DISCUSS AND DEBATE LIFE, WORK OF GIUSEPPE
VERDI. THEY MET IN VENICE, MILAN, CHICAGO.

ORCHESTRA ON STAGE WARMS UP. CU FACE SHOTS OF MAN,
WOMAN IN AUDIENCE. SPOT LIGHT TURNS ON, MUSIC,
PERFORMANCE BEGINS. FEMALE OPERA SINGER DOES AN
ENTIRE ARIA IN ENGLISH. OTHERS JOIN IN. SPOT FADES

DOCTOR MARY, STETHOSCOPE AROUND NECK, ENTERS
WAITING ROOM GETS LITTLE BOY AND MOM, HER FOURTH
GENERATION OF PATIENTS, TO ENTER EXAMINING ROOM.
CU AS MOM HOLDS BOY'S ARM, DR. MARY APPLIES
ANTISEPTIC SMEAR.

DOCTOR MARY IS DRIVEN UP TO HER HOUSE ON RANCH, IN
PICK-UP TRUCK, IS GREETED BY HER HUSBAND. THEY
HAVE LIVED HERE SINCE 1919. HAVING BROKEN HER
ANKLE A YEAR AGO, HE HELPS HER WALK TO HOUSE.

MARYS' PICK-UP TRUCK STOPS AT HOUSE ON PRAIRIE
WHERE SHE MAKES HOUSE CALL. ELDERLY NURSE LETS HER
INTO HOUSE WHERE NINETY-TWO YEAR-OLD PATIENT WHO
DOGGEDLY LIVES ALONE, SITS IN LIVING ROOM. ELDERLY
DR. MARY PUTS ON STETHOSCOPE, EXAMINES WOMAN.
TAKES BLOOD PRESSURE.

FEDERAL EXPRESS:
MAN ENTERS DOOR OF OPERATIONS CONTROL FOR FEDERAL
EXPRESS, MEMPHIS INTERNATIONAL AIRPORT MARKED,
"RESTRICTED AREA" LARGE GROUP OF MEN SIT AT
TABLES, BUSILY ANSWER PHONES, AS THEY WAIT FOR
FLEET OF JETS THAT CONVERGE HERE EVERY NIGHT FROM
ALL PARTS U.S. ITS CARGO, ABOUT 30,000 SMALL
PACKAGES.

ABOVE SHOT OF TWO HUGE CONVEYORS AT SORTING
FACILITY, CALLED THE "HUB." EVERY NIGHT FROM
MIDNIGHT TO THREE A. M. THE PACKAGES ARE GATHERED,
SORTED, ROUTED INTO SHIPMENTS TO ASSORTED
DESTINATIONS. MONTAGE MANY WORKERS, INCLUDING
MALE, FEMALE PART-TIME STUDENTS FEVERISHLY TAKING
PACKAGES OFF CONVEYORS, SORTING THEM INTO BINS.

HUSBAND AND WIFE LEGISLATORS:
ZOOM OUT FROM U.S. & STATE FLAGS, FLYING ON STATE
CAPITAL BUILDING OF MICHIGAN. HIGH ANGLE, STATE
LEGISLATORS SEATED IN SESSION. ZOOM IN ON COLEEN
ENGLER, TWENTY-FOUR YEAR-OLD STATE REPRESENTATIVE
FROM 121ST DISTRICT. IN OFFICE SINCE 1974, IS
YOUNGEST MEMBER TO BE ELECTED TO MICHIGAN HOUSE OF
REPRESENTATIVES.

ZOOM IN FACE SHOT, JOHN SITS AT DESK, WRITES,
TELLS HOW HE GOT WIFE ELECTED. COLEEN ENTERS
OFFICE. HE LOOKS UP FROM PHONE, GESTURES FOR HER
TO WAIT, GETS UP WALKS OUT WITH HER.

COLEEN SPEAKS TO CONSTITUENTS AT OPEN MARKET.
WALKS IN RESIDENTIAL NEIGHBORHOOD, APPROACHES MAN
FIXING CAR ON DRIVEWAY. MONTAGE COLEEN HANDS
PAMPHLETS TO WOMEN AT THEIR FRONT DOOR.

HIGH ANGLE OF LEGISLATIVE SESSION. FACE SHOTS OF
VARIOUS LEGISLATORS, INCLUDING COLEEN, JOHN. AT
THEIR SEATS, WORKING. COLEEN NARRATES.

MAN AND WOMAN WITH LIFE JACKETS CANOE DOWN RIVER,
A KAYAKER PADDLES BY LOOKING BACK AT THEM. OTHERS
ESCAPING CITY CANOE ON RIVER. FAT WOMAN WITH DOG
IN FRONT OF HER PADDLES HER CANOE. FRED DURST,
WIFE, BORN HERE, CANOES ON RIVER. SEVERAL ANGLE
VIEWS OF THEM IN CANOE.

THE COUPLE COME ACROSS ABANDONED WOODEN FACTORY
BUILDING USED IN EARLY 1900 BY TIMBER COMPANY.
CREWS WORKED DAY AND NIGHT MAKING PENCILS, WHISKEY
BARRELS, RAILWAY TIES. ABANDONED TOWN BUILDINGS
ARE ONLY QUAINT RELICS FROM ANOTHER ERA.