I don’t relish in it – I don’t go looking for it. I actually find, As I said, when I’m here, if things are going well – you get treated well. Not that happy a place to be when things aren’t going well.

She I think was the first person I spoke to in relation to it.

Do you know what I think, one of the things I liked most looking back on the film.. and there’s also some reasons going over and over and over about why I like doing it and what’s important to illustrate to children and you know that’s true. You know that it had a uh … back time to and innocent story telling. There aren’t any ironic quarks here that its very straight forward. What I think this has appeal to here is the atmosphere of the film.. there’s something dark its got a kind of elegance about it. Its something a little bit menacing. And its something that in all the children’s stories that have really endured of over time there’s been that dark scary thing. So its got magic and it does make everyone take their hankerchiefs out. That obviously works after these screenings. But it’s also got a camp comic theatrical spookiness to it. You know we got this back drop here and this dark purple. You know its like the lining of coffins you know in the funeral parlor. And a make up artist for corpses.. you know the house looks like the psycho house.. and nanny McPhee arrived she’s a frightening silhouette and then back lit by lightening out side the side of the house.. you know… I love that mood.