This reel is part of one of our Specialty Collections. Online viewing or downloads of low-res versions for offline viewing will be available for only more day, though. Online viewing or downloads of low-res versions for offline viewing has now expired, though, and cannot be viewed online. "Pro" account holders can download a low-res version without audio for offline viewing.
Sign up for a "Pro" account to download this footage.
This reel is currently not available for online viewing.
Sorry, this video is temporarily unavailable for online viewing or download. Please try again later.
Restricted Material
Access to this reel with audio is restricted. It will be available for only more day.
Access to this reel with audio has expired.
00:28:27 1.33 |
![]()
ON-THE-AIR. REHEARSAL SIGN WITH REHEARSAL LIT UP.
|
00:28:34 8.33 |
![]()
PULLS BACK TO REVEAL DOUBLE DOORS INTO STUDIO 6B.
|
00:28:39 13.33 |
![]()
WIDE SHOT OF THE BELL TELEPHONE ORCHESTRA REHEARSING.
|
00:28:46 20.33 |
![]()
CU CONDUCTOR DONALD VOORHEES SHAKING HEAD NO AND STOPPING ORCHESTRA.
|
00:28:49 23.33 |
![]()
CU OF MUSICAL SCORE FOR THE BARTERED BRIDE, SMETANA.
|
00:28:51 25.33 |
![]()
CONDUCTOR TAPS HIS BATON ON STAND. QUIET.
LISTEN CAREFULLY. |
00:29:02 36.33 |
![]()
MEN IN ORCHESTRA LEAN FORWARD TO TURN MUSIC BACK TO BEGINNING.
|
00:29:06 40.33 |
![]()
VOORHEES REPRIMANDS THE STRING SECTION
|
00:29:13 47.33 |
![]()
VIOLIN SECTION
|
00:29:17 51.33 |
![]()
CU HAND WITH PENCIL MARKS MUSIC. CIRCLES WORD
|
00:29:22 56.33 |
![]()
CONDUCTOR CONDUCTS-NOW, AGAIN.
|
00:29:25 59.33 |
![]()
VIEW OF ORCHESTRA FROM CONTROL BOOTH
|
00:29:37 71.33 |
![]()
PEOPLE IN RADIO CONTROL BOOTH
|
00:29:42 76.33 |
![]()
VIEW OF CONDUCTOR AND ORCHESTRA WITH CONTROL BOOTH IN BACKGROUND.
|
00:29:48 82.33 |
![]()
CONDUCTOR CONDUCTS WITH VIGOR
|
00:29:54 88.33 |
![]()
VIOLIN SECTION PLAYING. S PAN.
|
00:30:14 108.33 |
![]()
PAN TO CELLOS. BLIND CELLO PLAYER WEARING DARK GLASSES.
|
00:30:20 114.33 |
![]()
CONDUCTOR QUIETS SECTIONS.
|
00:30:30 124.33 |
![]()
VIOLINS, HARPIST IN BACKGROUND.
|
00:30:42 136.33 |
![]()
MEDIUM SHOT OF ORCHESTRA
|
00:30:52 146.33 |
![]()
BACK OF THEATRE. DOOR OPENS. EZIO PINZA COMES IN, REMOVES HIS HAT. WAVES.
|
00:30:59 153.33 |
![]()
MAN WAVES FROM CONTROL BOOTH. GETS UP.
|
00:31:03 157.33 |
![]()
MAN IN THEATRE FOLDS HIS OVERCOAT. PUTS IT ON CHAIR AND LISTENS.
|
00:31:10 164.33 |
![]()
DIRECTOR WALKS PAST ORCHESTRA AND SHAKES HANDS WITH MAN. THEY LISTEN TO ORCHESTRA
|
00:31:22 176.33 |
![]()
CONDUCTOR POINTS
|
00:31:42 196.33 |
![]()
CONDUCTOR COMES DOWN AND SHAKES HANDS WITH MR. PINZA.
|
00:31:50 204.33 |
![]()
CONDUCTOR CLAPS HANDS AND GIVES ORCHESTRA 10 MINUTE BREAK
|
00:31:57 211.33 |
![]()
DIRECTOR, MR. PINZA, AND MR. VOORHEES COME ONTO STAGE. GREET SOME MUSICIANS.
|
00:32:15 229.33 |
![]()
HARPIST PLAYS A LITTLE
|
00:32:17 231.33 |
![]()
MEN GO OVER TO GRAND PIANO. MR PINZA TAKES OFF HIS JACKET.
|
00:32:24 238.33 |
![]()
COPY OF OPERA SCORE. TOSTI'S L'ULTIMA CANZONE.
|
00:32:25 239.33 |
![]()
DONALD VOORHEES PLAYS THE PIANO WHILE OPERA SINGER EZIO PINZA SINGS. DIRECTOR TURNS PAGES OF SCORE.
|
00:35:10 404.33 |
![]()
FINISH PRACTICE, EZIO WIPES HIS BROW.
|
00:35:18 412.33 |
![]()
WRITTEN OUT PROGRAM OF ACTS, HAND WITH PENCIL CROSSES OUT LINE.
|
00:35:24 418.33 |
![]()
TYPEWRITTEN ORDER OF ACTS FOR PROGRAM
|
00:35:32 426.33 |
![]()
CU OF OPERA SINGER BLANCHE THEBOM.
PULLS OUT TO REVEAL ORCHESTRA TUNING UP |
00:35:45 439.33 |
![]()
DIRECTOR IN CONTROL BOOTH TALKS INTO MICROPHONE.
|
00:35:50 444.33 |
![]()
CU OF SQUARE SPEAKER IN STUDIO WALL.
|
00:35:53 447.33 |
![]()
FLOYD MACK OUT IN EMPTY AUDIENCE SEATS
|
00:35:59 453.33 |
![]()
FLOYD MACK STEPS UP TO MICROPHONE TO MAKE HIS ANNOUNCEMENTS. ORCHESTRA IN BACKGROUND.
|
00:36:27 481.33 |
![]()
BLANCE THEBOM SINGS ARIA FROM SAMPSON AND DELILAH.
|
00:37:18 532.33 |
![]()
DIRECTOR IN CONTROL BOOTH TALKS INTO MICROPHONE.
|
00:37:29 543.33 |
![]()
CONDUCTOR GETS ORCHESTRA READY AND MS. THEBOM CONTINUES SINGING.
|
00:38:51 625.33 |
![]()
CU OF EZIO PINZA LISTENING IN AUDIENCE
|
00:39:09 643.33 |
![]()
DIRECTOR AT MICROPHONE.
|
00:39:13 647.33 |
![]()
ANNOUNCER TOM SHIRLEY COMES INTO CONTROL BOOTH. LOOKS AT WATCH. HAS HIS SCRIPT READY. LEAVES BOOTH.
|
00:39:34 668.33 |
![]()
EZIO PINZA COMPLIMENTS BLANCHE THEBOM'S SINGING. HUGS.
|
00:39:50 684.33 |
![]()
FLOYD MACK MAKES ANOTHER ANNOUNCEMENT WHILE ORCHESTRA PLAYS.
|
00:40:28 722.33 |
![]()
BLANCH THEBOM AND EZIO PINZA DO ROMANTIC DUET FROM MOZART'S OPERA DON GIOVANNI, FROM 1ST ACT.
|
00:43:33 907.33 |
![]()
DIRECTOR IN CONTROL BOOTH LOOKS AT WATCH.
|
00:43:35 909.33 |
![]()
CU WRIST WATCH. 4:30
|
00:43:37 911.33 |
![]()
MONTAGE GETTING READY FOR BROADCAST.
TILTING NBC MICROPHONE. |
00:43:38 912.33 |
![]()
CLOCK ON WALL, ORDER OF ACTS.
|
00:43:41 915.33 |
![]()
TOM SHIRLEY REHEARSES HIS ANNOUNCEMENT.
STORY OF COMMUNICATION. |
00:43:58 932.33 |
![]()
ANIMATION OF MAN SETTING FIRE TO BON FIRE OF BRANCHES. BLAZE SEEN FROM AFAR.
|
00:44:11 945.33 |
![]()
CARTOON FIRES FROM A DISTANCE ALL OVER THE LAND. HILLTOP BEACONS.
|
00:44:23 957.33 |
![]()
TELEGRAPH MACHINE. HAND TAPS OUT MORSE CODE.
|
00:44:32 966.33 |
![]()
BEFORE TURN-OF-THE-CENTURY RECREATION OF A MAN ON AN EARLY TELEPHONE.
|
00:44:39 973.33 |
![]()
SHIRLEY READING SCRIPT INTO MICROPHONE.
|
00:44:54 988.33 |
![]()
HAND HOLDS DIFFERENT EARLY INVENTIONS OF THE "AUDION" TUBE OR TRANSISTOR TUBE, LOOKS LIKE LIGHT BULB
|
00:45:03 997.33 |
![]()
WALL OF ELECTION STUFF. TUBES PLUGGED IN, THE HEART OF COMMUNICATION, AND TECHNOLOGY.
|
00:45:11 1005.33 |
![]()
TELEPHONE WIRES AGAINST SKY
|
00:45:17 1011.33 |
![]()
SPLIT SCREEN PICTURE OF MAN TALKING TO WOMAN ON THE TELEPHONE.
|
00:45:25 1019.33 |
![]()
ANNOUNCER TOM SHIRLEY
|
00:45:31 1025.33 |
![]()
MULTI-TIERED TELEPHONE POLE AND WIRES
|
00:45:36 1030.33 |
![]()
TELEPHONE POLES RUN NEXT TO HIGH-TENSION WIRES.
|
00:45:43 1037.33 |
![]()
BEAUTIFUL SUNSET OVER TROPICAL OCEAN.
HAWAII. |
00:45:46 1040.33 |
![]()
HAND TURNS GLOBE
|
00:45:59 1053.33 |
![]()
HAND HOLDS VACUUM TUBES, LARGE AND SMALL.
USED FOR COMMUNICATION. |
00:46:01 1055.33 |
![]()
TOM SHIRLEY READING SCRIPT
|
00:46:15 1069.33 |
![]()
ANIMATED HILLTOP FIRES AGAIN. CHANGED INTO ANIMATED RADIO WAVES.
|
00:46:28 1082.33 |
![]()
ANIMATED RADIO TOWER WITH LIGHTNING BOLTS COMING OUT.
|
00:46:33 1087.33 |
![]()
REAL RELAY RADIO TOWER.
|
00:46:38 1092.33 |
![]()
MAN AT LARGE MACHINE WITH BUTTONS & DIALS
|
00:46:45 1099.33 |
![]()
INSIDE MACHINE. MICROWAVE.
|
00:46:50 1104.33 |
![]()
TINY VACUUM TUBE
|
00:46:56 1110.33 |
![]()
ANNOUNCER SPEAKS INTO NBC MICROPHONE
|
00:47:12 1126.33 |
![]()
ORCHESTRA PLAYS
|
00:47:26 1140.33 |
![]()
ANNOUNCER FLOYD MACK READS SCRIPT
|
00:47:51 1165.33 |
![]()
EZIO PINZA SINGS L'COUR, OPERA SONG ABOUT A HUNTER, A STAG, AND A HORN.
|
00:48:26 1200.33 |
![]()
CLOCK ON WALL READS 6:39
|
00:48:28 1202.33 |
![]()
REHEARSAL SIGN LIT
|
00:48:30 1204.33 |
![]()
CLOCK 9:20
|
00:48:32 1206.33 |
![]()
ON-THE-AIR SIGN LIT
|
00:48:34 1208.33 |
![]()
PERFORMANCE, AUDIENCE, MR. PINZA AND ORCHESTRA IN TUXEDOS. CONDUCTOR.
|
00:49:22 1256.33 |
![]()
AUDIENCE LISTENS TO MUSIC
|
00:49:30 1264.33 |
![]()
PEOPLE IN CONTROL BOOTH
|
00:49:31 1265.33 |
![]()
BLANCHE THEBOM IN BEAUTIFUL GOWN LISTENS
|
00:49:45 1279.33 |
![]()
CU EZIO PINZA SINGING
|
00:50:13 1307.33 |
![]()
WIDE SHOT OF WHOLE STUDIO
|
00:50:23 1317.33 |
![]()
CONDUCTOR DONALD VOORHEES.
|
00:50:46 1340.33 |
![]()
FRENCH HORN SECTION
|
00:51:00 1354.33 |
![]()
EZIO PINZA
|
00:51:33 1387.33 |
![]()
FINISHES. SHAKES HANDS WITH CONDUCTOR.
BOWS. |
00:51:42 1396.33 |
![]()
AUDIENCE APPLAUDS.
|
00:51:45 1399.33 |
![]()
VIOLIN SECTION.
|
00:51:50 1404.33 |
![]()
WIDE SHOT OF ORCHESTRA.
|
211 Third St, Greenport NY, 11944
[email protected]
631-477-9700
1-800-249-1940
Do you need help finding something that you need? Our team of professional librarians are on hand to assist in your search:
Be the first to finds out about new collections, buried treasures and place our footage is being used.
SubscribeShare this by emailing a copy of it to someone else. (They won’t need an account on the site to view it.)
Note! If you are looking to share this with an Historic Films researcher, click here instead.
Oops! Please note the following issues:
You need to sign in or create an account before you can contact a researcher.
Invoice # | Date | Status |
---|---|---|
|