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10:03:53 1.11 |
COLOR TEST
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10:05:03 71.39 |
INFORMATION CARD: EDITEL, NY, TITLE : ROCKABY, DATE: 12-1-1982, AGENCY: PENNEBAKER
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10:05:16 83.58 |
STILL OF SAMUEL BECKETT
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10:05:49 117.16 |
TITLE CARDS: STATE UNIVERSITY OF NEW YORK PROGRAMS IN THE ARTS PRESENTS, ROCKABY
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10:06:05 133.15 |
ENTRANCE TO THE PICCADILLY CIRCUS STATION, LONDON TUBE AT NIGHT, RIDERS EXIT
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10:06:08 136.16 |
NEON SIGNS AT NIGHT, DOUBLE DECKER BUS, PICCADILLY CIRCUS
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10:06:15 142.43 |
LONDON TAXI AT NIGHT, CU
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10:06:17 145.33 |
TITLE CARDS CUT WITH LONDON TAXIS AT NIGHT: A PLAY BY SAMUEL BECKETT, FILM BY PENNEBAKER AND CHRIS HEGEDUS, ACTRESS - BILLIE WHITELAW, THE DIRECTOR - ALAN SCHNEIDER, THE PRODUCER - DANIEL LABEILLE
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10:06:56 183.87 |
EXT OF ROYAL SHAKESPEARE COMPANY THEATRE AT NIGHT
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10:07:04 192.3 |
LOBBY OF THEATRE
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10:07:08 196.33 |
THEATRE GOERS MEET AND GREET, GOING AWAY PARTY FOR ACTRESS ?
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10:07:17 204.87 |
ASSISTANT HELPS BRITISH ACTRESS PACK UP AND MOVE LUGGAGE
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10:07:31 218.58 |
DOUBLE DECKER YELLOW BUS ON MISTY ENGLAND ROADS, ZOOM OUT TO BRIDGE OVER THAMES
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10:07:38 225.6 |
DIRECTOR AND PRODUCER TALK ON BUS, SCHNEIDER AND PENNEBAKER
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10:07:54 241.63 |
MEN WALK UP STAIRS TO HOME IN ACTRESS' CAMDENTOWN HOME
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10:08:04 252.36 |
DIRECTOR AND PRODUCER VISIT WITH BILIE WHITELAW AT HER HOME, SHE MAKES A POT OF TEA, LARGE MURAL PAINTING ON WALL
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10:08:41 288.52 |
CU OF WHITELAW TALKING ABOUT SAM BECKETT'S NEW PLAY
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10:09:14 322.24 |
STILLS OF SAMUEL BECKETT
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10:09:58 365.91 |
BILLILE WHITELAW TALKS ABOUT HER START IN THEATRE, PLAYED A BOY, BEING UNEDUCATED, NEVER READS
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10:10:46 413.73 |
ECU OF DIRECTOR, ZOOM OUT, TALKS ABOUT HOW HE WILL DIRECTOR HER
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10:11:25 453.45 |
BILLIE WHITELAW READS LINES FROM THE PLAY
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10:12:42 530.07 |
ECU OF DIRECTOR PRAISING HER ACTING, ZOOM OUT, CONVERSATION ABOUT PERFORMING BECKETT, "TO FIND OUT WHOM ELSE", CUT TO CU OF WHITELAW
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10:13:24 572.23 |
MS OF BILLIE WHITELAW, TALKING ABOUT "NOT I", BECKETT PLAY, HOW SHE WAS DIRECTED BY BECKETT
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10:13:46 593.51 |
ECU OF MOUTH MASKED BY BLACK CLOTH OR MAKE-UP, PERFORMANCE OF "NOT I"
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10:14:53 661.44 |
SCHNEIDER AND PENNEBAKER IN TAXI TALK ABOUT WHITELAW'S PERFORMANCE
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10:15:12 680.13 |
MS OF SCHNIEDER AND WHITELAW TALK, SHE MENTIONS BOTH HER PARENTS JUST PASSING, HER MOTHER BECOMING CATATONIC AT THE END OF HER LIFE, CUT TO ECU OF WHITELAW
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10:16:50 777.58 |
MS OF BILLIE WHITELAW READING PLAY AND RECITING, INFORMAL REHEARSAL, ROCKABY, ZOOM INTO CU OF ALAN SCHNEIDER, DIRECTOR
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10:19:01 909.07 |
MS OF SCHNEIDER AND WHITELAW, HOLDING HANDS, EMOTIONAL RESPONSE TO THE LINES, BEING DIRECTED
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10:19:28 935.57 |
MS OF BILLIE WHITELAW AND ALAN SCHNEIDER DISCUSSING THE FEELING OF SAMUEL BECKETT'S NEW PLAY, BEING DIRECTED, ZOOM INTO ECU OF ACTRESS DISCUSSING WHAT SHE ENVISIONED
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10:21:10 1038.09 |
SIGN AT READING STATION
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10:21:13 1041.21 |
TRAIN ARRIVES AT READING STATION, ENGLAND
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10:21:23 1050.93 |
BRICK TOWER, EXT OF LIBRARY
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10:21:27 1055.39 |
CU OF DOOR ON BECKETT READING ROOM
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10:21:31 1058.71 |
CU OF ALAN SCHNEIDER
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10:21:34 1062.39 |
MS OF SCHOLARS SITTING AROUND TABLE, DISCUSSING BECKETT'S NOTES, ZOOM IN ON ALAN SCHNEIDERTALKING ABOUT HIS NOTES AFTER ROCKABY
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10:22:23 1111.32 |
TV SCREEN WITH TITLE CARD "HAPPY DAYS"
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10:22:31 1118.93 |
SAMUEL BECKETT WATCHING AND SMOKING
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10:22:36 1124.36 |
BILLIE WHITELAW BURIED IN SAND, PERFORMANCE OF HAPPY DAYS
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10:22:52 1139.67 |
MEN SIT AT RESTAURANT TABLEDISCUSSING WHITELAW'S INTERPRETATION IN BECKETT'S HAPPY DAYS
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10:23:29 1176.52 |
WHITELAW IN "HAPPY DAYS"
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10:24:25 1232.88 |
MEN DISCUSSING CRITICISM OF IRISH WRITERS, CUT TO CU OF ALAN SCHNEIDER, MENTION GODOT AND WALTER KERR
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10:25:07 1274.99 |
STILL OF SCHNEIDER AND BECKETT
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10:25:13 1280.75 |
STILL OF NEW YORK HERALD TRIBUNE REVIEW OF "WAITING FOR GODOT" BY WALTER KERR, PHOTO OF BERT LAHR, CUT TO CU OF ARTICLE
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10:25:24 1292.36 |
ALAN SCHNEIDER MS, ON TRAIN, DISCUSSING THE FAILURE OF GODOT IN MIAMI
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10:25:48 1315.94 |
POV MOVING TRAIN, PADDINGTON STATION SIGN
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10:25:52 1319.57 |
ECU OF HAND HOLDING TINY BOOK
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10:25:54 1321.9 |
ALAN SCHNEIDER ON ESCALATOR AT PADDINGTON STATION, TUBE, ENGLAND, 1982
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10:26:04 1332.09 |
MS OF BILLIE WHITELAW AND ALAN SCHNEIDER DISCUSSING BECKETT
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10:26:26 1353.44 |
ACTRESS BILLIE WHITELAW IN ROCKING CHAIR, REHEARSING ROCKABY
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10:26:37 1365.33 |
MONTAGE OF WHITELAW IN BECKETT PLAYS
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10:26:40 1367.79 |
BILLIE WHITELAW TALKS ABOUT WHY SHE SCREAMED IN "NOT I", SENSORY DEPRIVATION, PAN TO SCHNEIDER
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10:27:07 1394.43 |
MS OF SCHNEIDER DIRECTING WHITELAW, "IT'S ABOUT ACCEPTING DEATH", CUT TO ACTRESSES FREAKING OUT AFFECTIONALLY
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10:28:04 1452.17 |
MS OF SCHNEIDER AND WHITELAW DISCUSSING HER APPROACH TO BECKETT, CUT TO CLOSE UPS OF EACH
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10:28:56 1503.94 |
ZOOM OUT FROM STILL OF BECKETT IN HAND OF MAN ANSWERING PHONE IN OFFICE, ALAN SCHNEIDER LOOKS AT PHOTO OF BECKETT AND WHITELAW'S MOUTH IN NOT I
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10:29:17 1525.3 |
MS OF BEARDED MAN DISCUSSING THE FINE DETAILS OF BECKETT'S INSTRUCTIONS, "INPERCEPTIVELY AJAR" MEANS SHUT
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10:30:01 1569.07 |
HIGH ANGLE OF BILLIE WHITELAW LOOKING AT GRAY WIG FOR PLAY
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10:30:20 1587.48 |
MS OF BILLIE WHITELAW WITH GRAY WIG, ALAN SCHNEIDER LOVES THE WIG
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10:30:57 1624.54 |
DIRECTOR, SCHNEIDER AT SOUNDBOARD
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10:31:01 1628.64 |
BILLIE WHITELAW AT MICROPHONE, RECITING LINES FROM ROCKABY, CUT TO SCHNEIDER AT SOUNDBOARD, DIRECTING
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10:31:53 1681.33 |
ECU OF ALAN SCHNEIDER
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10:32:00 1687.66 |
MS OF BILLIE WHITELAW REHEARSING ROCKABY, CUT TO SCHNEIDER IN SOUND ROOM, REVERB
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10:32:30 1717.9 |
ACTRESS WHITELAW IN ROCKING CHAIR, LISTENING TO DIRECTOR, STAGE ASSISTANT ROCKING CHAIR
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10:33:26 1774.28 |
AIRPORT POV TERMINAL
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10:33:29 1776.74 |
BILLIE WHITELAW DRINKS BEER IN TERMINAL
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10:33:37 1785.42 |
BILLIE WHITELAW AND ENTOURAGE CLIMBS UP AIRLINE STAIRCASE
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10:33:44 1792.18 |
BUFFALO NEW YORK, PAN ACROSS FROZEN LAKE ERIE
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10:33:53 1800.84 |
POSTER FROM MAIN STAGE, WORLD PREMIERE OF ROCKABY, THEATRE EXT
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10:33:59 1806.78 |
BILLIE WHITELAW WITH HER MOTHER'S CREAM, SITTING AT VANITY IN DRESSING ROOM
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10:34:29 1836.69 |
WHITELAW IN HAPPY DAYS, BURIED IN SAND
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10:35:32 1900.32 |
WHITELAW PUTTING ON MAKE-UP IN MIRROR, MAKE UP ARTIST OFFERS HER INTERPRETATION OF COSTUME AND WIG
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10:36:42 1970.06 |
ECU OF WHITELAW WITH MAKE-UP
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10:36:48 1976.18 |
ALAN SCHNEIDER ENTERS DRESSING ROOM AND OFFER OPINION ON WIG, ZOOM IN ON HIS EXPRESSION
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10:37:06 1994.14 |
DIRECTOR SCHNEIDER ON TELEPHONE BACKSTAGE, GIVING CUES
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10:37:28 2015.48 |
STAGE DIRECTIONS GIVEN BY WOMAN
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10:37:32 2020.41 |
BILLIE WHITELAW BEGINS TO PERFORM ROCKABY, STOPPED BY DIRECTOR SCHNEIDER, PRACTICE ROCKING MECHANISMS, LOTS OF DIRECTIONS, EERIE IMAGES
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10:39:47 2154.77 |
OVER THE SHOULDER OF ACTRESS PUTTING ON MAKE-UP, RELFECTION IN THE MIRROR, CAMERA PERSON, TALKS ABOUT PLAYING A ROLE AND NOT HAVING TO INTERPRET OR ANALYZE SAMUEL BECKETT'S WORK
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10:41:36 2264.06 |
CU OF WHITELAW PUTTING ON MAKE-UP, CUT TO MS, DRESSING ROOM
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10:42:15 2302.9 |
STILL OF SAMUEL BECKETT
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10:42:23 2310.51 |
POV MOVING VEHICLE OF BUILDING OVERHANG
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10:42:33 2321.16 |
PANEL OF SPEAKERS ON STAGE, LISTENING
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10:42:52 2340.05 |
CUT TO AUDIENCE LAUGHING, LECTURE HALL
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10:43:03 2350.51 |
MARTIN ESSLIN MS, TALKING ABOUT BECKETT, CUT TO COLLEGE STUDENTS LISTENING
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10:43:59 2406.73 |
ALAN SCHNEIDER SPEAKS ABOUT BEING UNCOMFORTABLE BEING WITH CRITICS BEFORE THE PERFORMANCE, TALKS ABOUT THE LENGHTH OF THE PLAY, CUT TO AUDIENCE MEMBERS LISTENING
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10:45:47 2515.29 |
BILLIE WHITELAW IN DRESSING ROOM TALKS ABOUT HER WORK AND
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10:46:33 2560.57 |
EXT OF THEATRE MARQUEE, TILT DOWN
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10:46:36 2563.97 |
THEATRE-GOERS ENTER THROUGH DOORS AND SHOW TICKETS
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10:46:45 2573.01 |
STAGEHANDS MOP DOWN STAGE
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10:46:51 2579.39 |
ALAN SCHNEIDER LOOKS CONCERNED
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10:46:55 2583.46 |
SOUND PERSON IN BOOTH, BACKSTAGE, GIVES DIRECTIONS ON HEADSET
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10:47:05 2593.39 |
DARK STAGE, SPOT SLOWLY LIGHTS UP FACE OF ACTRESS, BILLIE WHITELAW, OLD LADY MAKE-UP, IN ROCKING CHAIR, RECORDING PLAYS, ZOOM IN AND OUT
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10:50:13 2780.93 |
FS OF ACTRESS IN ROCKING CHAIR, BILLIE WHITELAW PERFORMS "ROCKABY", RECORDING PLAYS, ZOOM INTO MS
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10:58:53 3301 |
SLOW ZOOM INTO ECU OF BILLIE WHITELAW PERFORMING "ROCKABY"
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11:00:43 3410.74 |
CU OF HAND ON ROCKING CHAIR ARM, FADE TO MS OF BILLIE WHITELAW ASLEEP IN ROCKING CHAIR, ZOOM IN AND OUT AND FADE TO BLACK
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11:02:01 3488.5 |
CREDITS
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11:03:09 3557.34 |
BLANK SLUG
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11:03:14 3561.56 |
END TAPE
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211 Third St, Greenport NY, 11944
[email protected]
631-477-9700
1-800-249-1940
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